More than two decades after his death, fans saw a new side
of Kurt Cobain on Monday night.
After a film festival run and limited theatrical release,
Kurt Cobain: Montage of Heck
finally made its small screen debut on HBO. The
rock doc -- directed by Brett Morgen
and co-executive produced by Cobain's
daughter, Frances Bean
-- revealed several never-before-heard songs by the
Nirvana frontman and new details about his personal life via home movies,
notebook doodles, and highly personal journal entries.
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With a running time of
more than two hours, Montage of Heck offers plenty of insight into Cobain's
too-brief 27 years. But as Variety
critic Dennis Harvey notes his review, the
film offers little in terms of truly new information. "If Montage of Heck
has a flaw," Harvey writes
"it's that Cobain's regrettably brief life has been so persistently combed
through already that the pic can offer little truly new insight."
Still, there are plenty of key takeaways from the project.
Here, we count down the seven biggest highlights.
1. Cobain was destined for stardom:
Through very early home footage, we see a young Cobain banging away on small instruments -- showing off an early talent for all things creative. "He was so kind and so worried about people, you know, if they were OK or if somebody got hurt," said Cobain’s mother, Wendy, providing the film's first significant narrative. "And then on top of that, he started singing and playing guitar, and once he could draw he drew all the time."
2. Before heroin, there was Ritalin:
Cobain’s mother recalled giving "something like Ritalin" to her son in an (unsuccessful) effort to slow him down.
"He'd be upside-down, with his head hanging off where your legs would be and his feet up on the back of the rocking chair, going 90 miles an hour on it, and he'd be repeating everything verbatim from Sesame Street
," she said. Later, through his journals, Kurt narrated his own teenage experiences with marijuana. "Oh boy, pot," he said. "I could escape all day long and not have routine nervous breakdowns."
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A significant portion of the film features journal narrative, set to animations by Stefan Nadelman and Hisko Hulsing. As viewers are pulled through Cobain's teenage years, becoming increasingly defiant with his family and ultimately being bounced around between relatives' homes, we watch as Cobain loses his virginity a girl whom he describes as "fat" and "illiterate." ("I tried to f--k her but didn't know how, and asked her if she'd ever done this before, and she said, a lot of times but mainly with her cousin.") After word gets out, Cobain says, "I couldn't handle the ridicule so I got high and drunk, I walked down to the train tracks and laid down and put two big pieces of cement on my chest and legs and waited for the 11 o'clock train. The train came closer and closer and closer, and it went on the next track besides me instead of over... The train scared me enough to try and rehabilitate myself."
At the film's Tribeca screening, Cobain's widow Courtney Love would publicly question
the validity of these stories.