How Laverne Cox Channeled Heartbreaking Human Experiences Into an Emmy-Nominated Performance
By Stacy Lambe
There are two distinct titles Laverne Cox wears at all
times -- actress and advocate. And more often than not, she embodies both as one
of the most prominent transgender figures in pop culture today.
“There are certain days where I just want to have fun and be
an actress,” Cox says during a conversation with ETonline at the Warwick New York Hotel to
promote her supporting role in the new Oscar-bait drama, Grandma, starring Lily Tomlin. “I've certainly had those moments.”
At the center of what Time dubbed in 2014 as “the transgender tipping point” -- with Cox on the cover -- the
actress feels a responsibility to talk about the issues affecting her
community. But seven years ago, this would-be trailblazer may have been happy
to talk about anything when she lived life on the fringe as a struggling
actress who turned to reality TV for exposure.
“It was an opportunity for visibility,” Cox says of the 2008
VH1 reality competition, I Want to Work
for Diddy, which saw her compete for a coveted job as Sean Combs’ assistant. However, having studied acting and dancing at Marymount Manhattan College and appearing in two independent short films, not everyone thought it was a smart move. “My
brother -- I love him so much -- was like, ‘You’re a serious actress, you shouldn’t
do reality -- no one will take you seriously.’”
Despite the reservations of her twin brother and performer,
M. Lamar, Cox knew it would open doors for her. What she didn’t expect was to
think about the big picture. “If I just stayed in the realm of acting, I
wouldn't have thought about myself as a brand,” she says. “I'm now aware and
cognizant of myself outside of that.”
While the reality show didn’t catapult her to the top, it
did lead to more opportunities, including the little-watched VH1 reality show, TRANSform Me (“It was a flop”), which
coincided with small acting gigs on the Law
& Order franchise and HBO’s Bored
to Death. However, it wasn’t until 2010 when she found acting coach Brad
Calcaterra, who founded Act Out for LGBT actors, did her career take shape.
“The work was so transformative,” Cox says of the weekly acting class, which
also included fellow actress Jamie Clayton (Netflix’s Sense8).
Bolstered by confidence, Cox picked up more work with roles
in a number of independent films -- including Musical
Chairs, which later aired on HBO -- and her most prominent role as Sophia
Burset on OITNB.
Sophia, a transgender woman and mother who keeps her place
in the prison’s delicate ecosystem by running a hair salon, earned her a Primetime Emmy nomination -- the first for a transgender actor -- in season one. Season three, which premiered on June 11, saw Cox showcase a more vulnerable
side as her character was brutally attacked by other prisoners. It was a tragic
moment that became larger than her acting.
“It was my job to surrender to that as much as I could,” Cox
says, citing Free CeCe -- a documentary
about an incarcerated transgender woman, CeCe McDonald -- that the actress was
also shooting at the time. “Lately, I've been thinking of acting as channeling,
allowing myself to be a vessel for human experience, emotion, flaws, and
circumstance. I wanted to be a vessel for the experiences so many women have in
prison and with violence.”
It’s too early to tell if the performance will garner Cox more Emmy attention, but her role of Sophia has gone a long way to further TV’s
portrayals of transgender characters, which has prominently included sex
workers, which Cox has also played. Her part will find a place in pop culture
history as the second major TV role for a transgender character following
Candis Cayne’s breakout role on ABC’s Dirty
Sexy Money in 2007.
As she’s earned her place in Hollywood with a pantheon of
roles, including guest appearances on MTV’s Faking
It and The Mindy Project, Cox has
become one of the most reliable voices for transgender issues. “I don't feel
like I always need to have that hat on, but there are moments where it just
comes up,” she says. In addition to her scripted roles, her most other notable
TV appearance was swiftly shutting down Katie Couric’s invasive (and
misinformed) questions about transgender people.
Cox has expanded her reach off-screen by walking the runway during
New York Fashion Week for the American Heart Association, appearing on the covers
for Essence and Entertainment Weekly, and being named one of Time’s Most Influential People of 2015. She’s also earned accolades
from the LGBT community, with honors from Logo’s Trailblazers, the Out 100, and GLAAD Media Awards.
Over the past six months, Cox has become increasingly vocal about the spike in murders of transgender women of color -- and its lack of mainstream media attention. She even used her appearance on Good Morning America -- one day after our conversation -- to declare a transgender state of emergency. “Your life should not be in danger simply for being who you are,” Cox firmly told Robin Roberts. (She also asked us to link to her Instagram posts.)
Cox has handled the mantle with strength and
grace -- apparently unburdened by the responsibility that so many actors aren’t
forced to shoulder. Unlike activists Janet Mock and Jennifer Finney Boylan, or
Clayton, who refuses to be labeled a transgender actress, Cox sits at the
epicenter of the transgender zeitgeist. Not even Caitlyn Jenner -- who, despite
her prominence after coming out as a transgender woman, has seen ratings slip
for her docu-series, I Am Cait -- can
“This is who I am and this is what I want to focus on,” she
says. For now, the platform of trans icon belongs solely to Cox.
Grandma is now in theaters and Orange Is the New Black is streaming on Netflix.