In one of two poems published in the magazines accompanying her new album, the '...Ready for It?' singer argues that the "death of her reputation" helped her feel 'truly alive.'
On her follow-up to ‘1989’, the lightning rod singer doesn’t fully cop to being Regina George, but is undeniably at her best when she sheds the sheep’s clothing.
The Spotification of the music industry has led to breakout hits from unexpected artists, which may call into question the very idea of monolithic ‘too big to fail’ pop powerhouses.
